Ramsey cites lessons from pursuing artistic perfection
DALLAS—When viewed through eyes of faith, artistic beauty can awaken a hunger for a glory beyond anything we have known in this world, author Russ Ramsey told a crowd at Dallas Baptist University.
People travel halfway around the world to see great works of art because of “an appetite to be in the presence of something greater than ourselves that is—dare I say it—perfect,” said Ramsey, a Presbyterian minister and author of Rembrandt is in the Wind and Van Gogh Has a Broken Heart.
Ramsey spoke Feb. 20 on “Pursuing Perfection: Michelangelo’s David and Our Hunger for Glory” as part of the Veritas Lecture Series sponsored by the Institute for Global Engagement at DBU.
“I believe that Michelangelo’s David is the single greatest artistic achievement by an individual in history,” Ramsey said.
‘Perfect statue of a perfect hero’
Unlike the two-dimensional paintings on the ceiling of the Sistine Chapel, David is three-dimensional, he noted. Bronze, wood and clay sculptures are media that allow an artist to add to the creation, whereas David was carved from a single “unforgiving” block of marble, he observed.
Furthermore, some other sculptures allow an artist to hide his lack of understanding about humanity beneath a drape or robe, but David does not.
“Michelangelo’s David is a nude human form carved from a single block of stone, and it is perfect,” Ramsey asserted.
At age 26, Michelangelo carved David from a massive Carrara marble block. The giant stone from the Frantiscritti Quarry had been secured decades earlier and transported on a two-year journey to the Florence Cathedral. Two previous artists had chipped away at it but abandoned their efforts.
Michelangelo chose to depict David as a youth, facing the Philistine giant Goliath armed only with a sling to cast a stone. In contrast to the armor-clad giant, Michelangelo portrayed David unclothed, representing his vulnerability and total dependence on God, Ramsey explained.
“The story is perfect. It’s a perfect enemy. It’s a perfect youth. It’s the perfect cast of a lethal stone,” Ramsey said. “Michelangelo fits it all into this perfect statue of a perfect hero.”
Working with inherent limitations
However, what some see as artistic perfection also teaches lessons about human limitations, he added.
“We work with what we’re given, and nobody is perfect in this life—no, not one,” Ramsey said. “We live in a world of limits, and we run against them all the time.”
Michelangelo had to work within the limits of a marble slab that already had gashes taken out of it by two earlier artists.
The giant marble block also had a hole drilled in the bottom of it and a chain run through the hole to help men transport it from a quarry in the mountains to Florence.
“That hole would determine, at least to a degree, how David would have to stand, because that hole would be the space between his legs,” Ramsey explained.
“And the stance would affect everything about the end result—not only the composition of the piece, which is shaped by that hole in the marble, but also by the structural integrity of the piece, with thousands of pounds of stone pushing on those legs.”
Michelangelo’s masterpiece was shaped, in large part, by the limits inherent in that single, marred, marble block, he said.
Shaped by the touch of others
“Michelangelo was given a block of marble that others had a hand in shaping. Is this not a metaphor for life and for ministry?” Ramsey asked.
“We work with what we’re given and live in a world of limits. And we work with things—in ourselves included—that others have already had a hand in shaping. … I can’t think of a single thing in my life that does not bear the touch of others—and you can’t either.”
The touch of others may leave unwanted scars or they may beautifully bring out something special within us, but every life is shaped by others, he said.
“For the Christian, accepting our limits is one of the ways we are shaped to fit together as living stones into the Body of Christ,” Ramsey said.
“As much as our strengths may be a gift to the church, make no mistake that our limitations also are a gift to the church. Your need for the care of others is a gift to the church.”
Living in a world that is wasting away
Ramsey noted there are tiny cracks in David’s ankles, the result of 2,000 lbs. of marble pushing down for 500 years, as well as having suffered attacks by vandals and the effects of tremors.
“In almost immeasurable ways, those fractures are growing, and they are working their way up his legs,” he explained.
“This deterioration of that stone is a process that cannot be reversed. … One day, David will fall. … He will collapse under his own weight because of his own imperfections.”
Knowing that a perfect artistic achievement will be brought down by inherent imperfections should remind Christians “this world we are living in is wasting away,” Ramsey said.
And yet, visitors—whose footsteps cause minuscule vibrations that contribute to David’s ultimate downfall—flock to see the statue. They are driven by the inherent human hunger for a beauty beyond this present world, Ramsey observed.
“There is something in us where we are compelled to join the perishing to the eternal,” he said. “There is something in us that longs to draw near to glory.”








