Sacred Harp Backwoods to big screen_12604
Posted: 1/23/04
Sacred Harp: Backwoods to big screen
By Howard Miller
Religion News Service
HENAGAR, Ala. (RNS)– Ask Shane Wootten how long he's been attending Sacred Harp singings, and for a moment the question hangs in the air as if it's silly.
“All my life,” he answers. Wootten was carried to singings while an infant in arms. He's 30 now, and he still loves it.
And since he's one of the Woottens of Sand Mountain, it's expected among the locals that he, like members of the Ivey, Haynes and other families, will carry on the tradition of Sacred Harp singing.
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Robert Walker (r) and Terry Wootten participate in Sacred Harp singing at Liberty Baptist Church in Henagar, Ala. The unusual style of singing is featured on the soundtrack of the new film "Cold Mountain.'' Sacred Harp singing, also known as shape-note singing, is performed without instruments. The name derives from a songbook published in 1844. (RNS/Carucha L. Meuse Photo) |
It's not uncommon to hear voices from three or more generations united in harmonious song. That was the case at a recent Sunday night singing at the simple white Liberty Baptist Church in northeast Alabama.
The crowd was a bit smaller than usual; several of the regular singers were in California attending the Los Angeles premiere of the movie “Cold Mountain” and taping a TV appearance for the A&E Network.
Two songs on the soundtrack of that major Miramax feature film were recorded in Liberty Baptist Church.
“Cold Mountain,” based on the acclaimed 1997 Civil War novel by Charles Frazier, opened nationally Christmas Day. The soundtrack went on sale in late December.
Shane Wootten was one of the singers recorded at the church in June 2002. He had been invited to the California red-carpet party but declined.
“I'm getting my baby chickens tomorrow,” he said.
Wootten, a poultry farmer, laughed at the notion he might give that up to “go Hollywood” and sing for the movies.
He figures the $200 he was paid will be all the financial return he will see from the film project.
But he will keep going to singings, which are held at the church the first Sunday of each month from October to April.
“We have a lot of all-day singings in the summer,” Wootten said, sitting on a wooden pew as other singers gathered.
Wootten said he thinks the movie will expose more people to Sacred Harp.
“We were surprised to get two whole songs in the movie. We expected to get about 30 seconds,” he said. The two songs are “I'm Going Home” and “Idumea.”
One of the songs is used in a church scene in the film when the congregation learns that its state has seceded from the Union. One by one, the males stop singing, representing the soldiers going off to war.
Real Sacred Harp singing is now most often a community social event rather than part of a religious service, though churches and their grounds often are the setting.
It gets its name from “The Sacred Harp,” an oblong songbook published in 1844 by B.F. White and E.J. King. The pair lived in western Georgia, though the book was printed in Philadelphia.
Despite the name, no harps or other musical instruments are used in Sacred Harp singing. It's all done a cappella.
The title is symbolic, probably because harps are mentioned frequently in the Psalms and are associated with King David. Others feel that the “sacred harp” is the human voice itself.
The songs in “The Sacred Harp” are not all hymns. Included are psalm tunes from English and European sources, songs by American composers (mostly from New England), and others composed or arranged by Southerners, such as traditional songs, marches, dance tunes and camp meeting spiritual songs.
There also are songs composed in the 20th century in styles consistent with the other material.
Sacred Harp also is known as shape-note singing, coming from the manner in which the musical notation is written, and fasola singing, after the syllables fa, sol, la and mi used to teach it. The notes are shaped like a triangle, an oval, a rectangle and a diamond, representing those syllables respectively.
Sacred Harp singers sit in a square and keep time by raising and lowering one of their arms.
Typically, a leader stands in the center of the square (the ideal place to hear the full effect) and calls out the number of the song. It is sung in the fasola syllables one time before the words are sung.
Singer-musician Tim Eriksen was partly responsible for bringing Hollywood to Henagar.
“I was hired to be the singing voice of the character Stobrod (played by Brendan Gleeson), who is an itinerant fiddle player in the film,” explained Eriksen from his home in Minneapolis.
When the film's music was being planned, Eriksen arranged a meeting between the movie people and the singers on Sand Mountain, a region known for its Sacred Harp music.
“The director had heard of a song called 'Logan' and that inspired him when he wrote the screenplay. He imagined a scene with singing coming out of a church,” he said.
Eriksen taught Sacred Harp singing to two of the film's stars, Nicole Kidman and Jude Law.
“It's neat that, aside from the movie, Sacred Harp music is getting such a wide exposure,” Eriksen said. “There's a possibility you might see some Sacred Harp at the Academy Awards.”